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Untitled - Phil Struck - Quiet Time

Number of people. All Without People 1 person 2 people 3 people 4 people or more. Other Options. Cut Out. Do not include these words. Safe Search. Page of Sort by. Number of people All Without People 1 person 2 people 3 people 4 people or more. You can choose up to 3 colors. Refine Search. Similar Images. Add to Likebox. Trees, forest.. The first piece starts with crystalline, percussively struck pairs of notes at the top of the keyboard, with space left to allow the decay of the tones to hang.

Gradually, Block moves the motifs down to the middle register of the piano, introducing rich chords and the jangling sound of prepared strings while calling up ghost tones and shadowy textures to fill in at the edges. Pacing here is paramount, as she parses out each figure and chord progression, accentuating sharp attack and maximizing the resulting overtones and resonances.

Toward the final section of the piece, layers begin to build with a gauzy transparency, bringing to mind the way that light radiates through stained glass, filling a room with the resultant chromatic tints. The second piece makes far more use of preparations with quietly ticking motors, percussive flurries, and struck strings accruing into a shimmer of detail. The patter and hum of incidental sounds also emerge, including the low hum of organ and the pings and twangs of the strings projected back in to the instrument.

In the final section of the piece, volume and density peak, opening up to squeaks and creaks against the low buzz of the organ. Here traces of mechanical sounds accentuate the duality of the piano as string instrument and percussive mechanism. The final piece expands the sonic spectrum further, accentuating the lower registers and utilizing abrasions and filtering of the natural string resonances.

The dark colorations of organ are also more pronounced. Like the first piece, the pace is stately and methodical, with each chord placed with mindful purpose within the overarching flow. In the last third, the sharp, glassy notes of the opening piece are gradually incorporated, bring the suite full circle.

Block often works with multi-channel installations and one can hear how that sensibility comes through in the intimate format of this recording, using the placement of treatments and amplification of the piano with an analogous approach. Michael Rosenstein , Point of Departure. Her acute compositional ear responds to changes in the timbre of rustling leaves no less than to the percussive drama of a hailstorm. For some years she has brought that discernment and sensitivity to her exploration of the piano as an acoustic ecosystem, introducing various objects into its interior and using amplification to modify and expand its sounding range.

Sparsely patterned tones spawn textures and shadings that open onto a far more mysterious musical biome. Strange beauty compounded by an enigmatically resonant cover image that Block has created too. Julian Cowley, The Wire. Having said that, whatever expectations listeners may have of Block, based on her past releases, the music here is likely to expand them.

In particular, it is neither a purely electronic work nor a large ensemble of Chicago players improvising nor scored orchestral pieces. Instead, we get Block herself alone at a piano. The album sleeve is quite economic with information; the album title is simply Block's name; the music is untitled beyond its three sections—totalling just over thirty-five minutes—bearing Roman numerals.

We are told that it was recorded in Chicago in February , co-produced by Adam Sonderberg. In interview, Block refers to the music here as a suite, adding that it leaves a lot of room for improvisation between the composed bits. She says that she thinks of the suite as somewhat modular and can switch sections around. As well as preparing the piano with objects inside, Block also employs a contact mike connected to a mini speaker and during the performance uses a micro-cassette recorder played back inside the piano.

None of that is gratuitous gimmickry, but is all part of a well-crafted and thought-through composition that feels coherent and logical.

The three parts movements? At other times, Block is heard entirely alone at the keyboard, picking out dramatic single notes whose pure sound is mesmeric.

Throughout, the music is fascinating and engaging, sure to attract listeners in and hold their attention. This album will appeal to existing Block aficionados and draw in many new ones. John Eyles, All About Jazz. This music draws on plenty of acoustic sound sources, but is generally constructed on a computer.

Like many contemporary performers, Block prepares her piano by inserting different objects between the strings and plays those strings in a number of non-traditional ways in order to coax different timbres from the instrument. Sudden, sharp stabs in the higher registers give way to quiet tentative phrases lower down; the constant juxtaposition of accented and effaced notes creates a mysterious, suspenseful atmosphere.

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10 thoughts on “Untitled - Phil Struck - Quiet Time ”

  1. And home to your families by dinner time safely and soundly, sleeping. 'Cause we don't want trouble, And we'll take what we came for and we'll leave quiet. Or maybe we will tear you up, Take what you love and burn it down and burn it down. Nobody moves, nobody moves and no one gets hurt. If nobody opens their mouth, we have nothing to worry about.
  2. Oct 07,  · The Quiet Time Companion: A Daily Guide Through the Bible [Ro Willoughby] on dakrmo.daizahnishndarmeztizuru.infoinfo *FREE* shipping on qualifying offers. Down through the years, those who have been close to God have met with him daily. The Quiet Time Companion can help you begin and make the most of your own daily meetings with God. Offering a fresh approach to Bible study each week (with eleven /5(11).
  3. Lyrics to 'Quiet Time' by Archive. Juxtapose feeling, just suppose I reel in revolving doors closing, imposters posing, turn spinning it round about, pulling your inside out.
  4. PHIL STRUCK - QTT5 (gift given) by Quiet Time. PHIL STRUCK - QTT5. by Quiet Time. featured track / 24 wishlist in wishlist» You own this · buy now · hear more; appears in 48 other collections. Untitled (gift given) by Huerco S. Untitled. by Huerco S. featured track / Press On (Ruff Rub) Press On (Ruff Rub).
  5. Quiet Time has released two new tapes. The series gives artists around 30 minutes on one side of a cassette to showcase original work—that could mean a live recording, mixtape or an extended piece. The next two releases feature Hamburg artist Phil Struck and New York's Solpara. Struck's contribution was made with field recordings, samples.
  6. QTT5, an album by Phil Struck on Spotify. our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes.
  7. untitled 08 | Lyrics: Why so sad? / Walking around with them blue faces / She said I’m down on my luck / And it’s something I gotta have / Blue faces / I hit the bank today and.
  8. The Quiet Time. likes. 3 piece band from Milwaukee. Jump to. Sections of this page. Accessibility Help. Press alt + / to open this menu. Facebook. Email or Phone: Password: Forgot account? Home. About. Photos. Videos. Events. Posts. Community. See more of The Quiet Time on Facebook. Log In. or. Create New dakrmo.daizahnishndarmeztizuru.infoinfoers:
  9. Jul 26,  · Following up to releases from Aquarian, Baby, Money and the mighty Huerco S – which as you can imagine flew off the shelves in a flash, Quiet Time are back this summer with a double delivery courtesy of two of our favourite producers out there in the persons of Phil Struck and Solpara.
  10. Hamburg’s Phil Struck joins Quiet Time Tapes’ somnolent series with a steeply acousmatic session of grayscale tones and organic electronics that feels like the results of Basic House on a febrile bender with Helm in Wanda Group’s basement, which just happens to have a secret hatch into Henry Spencer’s apartment. Found in a half light between lo-fi, small sound scrabble and ambient.

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